One piano was placed in Athens Square Park in Astoria, home of the Steinway piano factory, the last active piano factory in New York City, which in the 19th century numbered 171. The last factory to close was the Sohmer factory, on Vernon Boulevard in Astoria, which closed in 1982, spent some time as an office furniture warehouse, and was declared an historic landmark in March, 2007, and has been in the process of being converted into condos for the past couple of years delayed, I can only surmise, by the credit crunch of the recession. If you have visited Socrates Sculpture Park, you have seen the former Sohmer factory with its landmark mansard-roofed clock tower. Sohmers are not Steinways, but they are nothing to sneeze at. When Irving Berlin wrote, “I Love a Piano,” he write it on a Sohmer.
Here is a photo and an excerpt from the fascinating (especially if you are a geek about the history of neighborhoods) report from the Landmarks Preservation Commission.
Why do I know all this? A few weeks before that factory was declared an historic landmark, I found a Sohmer piano put out on the street for Saturday large trash pickup. I have written about it here and am also developing it into a larger piece because, how can I put this, I just love pianos. I still have the Sohmer I rescued from the street, even though the soundboard is ruined and several of the keys don’t work at all. I have not come up with the $8,000 I need to have it fully restored to its former glory. But I can’t let go.
“The badly vandalized piano at Athens Square Park, 30th Street and 30th Avenue,” reads the article in the Western Queens Gazette, “had all of its keys and part of its inner gears removed.”
Indeed. The vandalism is quite specific and specialized. The piano was not smashed, axed, beat up, beat in, set on fire or otherwise generally molested. But its keys and part of its inner gears were removed. This particular neighborhood is full of retired tuners and technicians. The violated piano was a Kimball, a Chicago-based manufacturer. The vandal carefully removed the keys from their supporting nails and left the frame. But why, as Keith Morrison on Dateline NBC would ask, why would anyone do that?
Labels: Astoria, pianos, Sing for Hope, Sohmer
Elizabeth Bales Frank


1 Comments:
This is terrible -- and very specific, as you say. Someone scarred by childhood lessons? Someone robbing it for parts? Hard to say -- but tragic all the same. I hope the other NY pianos fared better. -- Best, Linda
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