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Welcome to the site of Elizabeth Bales Frank, writer, culture vulture, Bardophile and champion of the chance encounter.

Wednesday, December 19, 2007

Chris and Kris and Hyperhedonism

Hyperhedonia. Noun. The state of deriving excessive pleasure from that which is intrinsically dull

I found this definition, which I have never been able to find a match for, in a dictionary of amusing and unusual words. The dictionary itself was among the stock of upscale bric-a-brac for sale in a yuppie home furnishings store in Georgetown.

My friend Kris was across the store, pocketing paint chips.

Kris collects paint chips. She takes them home and keeps them in a box and occasionally brings them out to look at them in different kinds of light “to see if I still like the color.” Kris’s husband, Chris, was smirking at a watercolor map of Colonial Virginia, which was neither drawn to scale nor historically accurate. Kris and Chris are hyperhedonists.

They would rather not be written about. Kris expressed this by saying, "Don't write about us. Don't write about us. No, don't. Write. About us."

But they make such interesting copy, with their profusion of masters' degrees, their obsessive interest in cataloguing things, Chris's unnecessary fluency in Swedish, Kris's collection of acetate negatives, their bird-watching, cat-grooming, map-making, mountain-biking, gardening, herb-drying, lawn-game playing idiosyncracies, along with the oddities imposed by their his-and-hers matching masters in library science and their upbringing in Indiana, a state which, if it can be survived and escaped, leaves its natives forever stamped with eccentricity.

Their hyperhedonism makes Chris and Kris very easy to buy Christmas presents for. A book on the history of how wind is measured, or which details everyday Dutch life in Rembrandt's Holland. A desktop croquet set. A pair of earrings shaped like hummingbirds. A CD of a capella Swedish folk carols. Big hits, all.

What did I get them this year? I can’t tell you. Although I can tell you that I received their gift and opened it already.

They gave me a book on the genealogies of characters in Shakespeare’s plays. I am so excited.

It seems that I, too, am a hyperhedonist.

Oh, I have always suspected as much. The warning signs were always there. The ability to stare at a manuscript, or a map, or a musical score, or even a photograph for hours, charmed by details, weaving out scenarios, histories, shadows, nuances. The capacity for self-amusement so common in only children, or lonely children. The ability to discuss at great length a detail that is so cool, so fascinating, did you ever notice that? -- only to notice, eventually, that your audience has wandered away, if not physically, then at least mentally, fixing his eyes on the giant t.v. screen showing the Knicks game behind you.

But that’s alright. We have our pleasures. I am going to start with Henry IV, Parts I and II.

Merry Christmas, Chris and Kris.

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